The Graphic Adaptation of The Cask of Amontillado

The Graphic Adaptation of The Cask of Amontillado Illustrated by Joe Sacco Overview and Thesis: Joe Sacco, born October 2, 1960, is an American journalist and illustrator who is well known for his art-comics, most notably being Palestine: Refugeeland. Refugeeland recounts Sacco’s experience in the West Bank and the Gaza Strip, highlighting the difficult and unpleasant conditions that the Palestinian people were facing regarding the Israeli occupation of Palestine and the Gulf War in the early nineties. Joe Sacco’s writing focuses upon the day to day experiences of a Palestinian from an outsider’s perspective. His meticulous drawings and eyewitness reporting style combine to create a very compelling and complex visual. Edgar Allen Poe†¦show more content†¦One such example would be from Joe Sacco’s graphic novel Refugeeland. The illustration in particular is on the second page of the story. It is a two page spread that depicts an arial view of a city. The graphic weight of the image leads the viewer’s eye around the drawing, the primary source being Sacco’s use of crosshatching to fill the different spacial grounds. It is filled with all of the normal things one would see in a city, such as buildings, cars, and people, except every possible space in the spread is filled with the tiniest detail. There are no text boxes or areas for dialogue on this spread, allowing the viewer to contemplate all of the details in the scene. Sacco makes every part of the image important, he doesnt focus on a particular object or person, which allows for different symbols or elements to be incorporated into the drawing. Poe is an author who uses symbolism is all parts of his writings, including character names, settings, colors, and diction. All of these symbols work together to create an intellectually stimulating story that causes the reader to pause and reconsider certain aspects hidden within the writing. The aura of mystery surrounding the setting of Edgar Allen Poe’s writing combined with the f irst-person perspectives in the illustrations of Joe Sacco would make this an exceptional pairing for Fantographics books to publish. Preview: In the middle of the story there is a scene where Montresor and Fortunato are in the